++ bank art / + c.e.b. reas ++

Casey Reas

Education
Massachusetts Institute of Technology (MIT)
Media Laboratory, Aesthetics & Computation Group
Master of Science in Media Arts and Sciences
Graduated September 2001
University of Cincinnati
College of Design, Architecture, Art, and Planning (DAAP)
Bachelor of Science in Design

Selected Exhibitions, Screenings, Performances
2007
C.E.B. Reas. <>TAG Den Haag. The Hague, Netherlands
1 of 1 Studio + C.E.B. Reas. Concrete Image Store. Amsterdam, Netherlands
Ephemeral: Explorations in Light. Claremont Museum of Art. Claremont, CA
scriptedbypurpose. F.U.E.L. Collection. Philadelphia, PA
Summer Group Exhibition. Bitforms gallery. New York, NY
Taste, 28th Annual Benefit Auction. LACE. Los Angeles, CA
The 60 Second Southern Video Festival @ Harmony Landing. Pegram, TN
Persee: Orchestrated Perception. Regent Theatre. Los Angeles, CA
FEEDBACK. Laboral. Gijon, Spain
Our Distance from Things. Telic Arts Exchange. Los Angeles, CA

2006
C.E.B. Reas + Suzung Kim. Bitforms gallery. Seoul, Korea
Design Life Now: National Design Triennial. Cooper-Hewitt National Design Museum. New York, NY
Texelectronica. UNT Fort Worth ArtSpace. Fort Worth, TX
Further Processing. Kunstverein MEDIENTURM. Graz, Austria
Manifesto: GenArt. DesignBlok. Prague, Czech Republic
La Noche en Blanco. Madrid, Spain
Living Culture. Eyebeam. New York, NY
Interferenze New Arts Festival. San Martino Valle Caudina, Italy
Drawing, Painting, Sketching. CCCB. Barcelona, Spain
Drawing Conclusions on the Wall. Chapman University. Orange, CA
Artefact. STUK. Leuven, Belgium

2005
Forty Winks: Mini Theater. Ego Park Gallery. Oakland, CAbr /> Moving Pictures. The Dallas Contemporary. Dallas, TX
Swarm. Fabric Workshop and Museum, Philadelphia
Generator.x. National Museum for Art, Architecture and Design. Oslo, Norway
Thick Works. Betty Rymer Gallery, School of the Art Institute of Chicago. Chicago, IL
Abstraction Now in White Noise. Australian Centre for the Moving Image, Melbourne
SónarClub. Sónar. Barcelona, Spain. Selections 2001-2005
8 Abstractions, Now. À La Carte Digital Art. Sónar. Barcelona, Spain. Articulate
Lines and Curves, LIMN Gallery. San Francisco, CA. Tissue, HairyRed, Path
Fresh, Museum of Contemporary Art Auction 2005. Los Angeles, CA. Process #5
Generative X @ onedotzero. Institute for Contemporary Art. London, UK. Articulate
Visions for Education. Benesse Square. Okayama, Japan. Tissue
Rhizome ArtBase 101, New Museum of Contemporary Art. New York, NY. {Software} Structures
Beecher Center. Youngstown, OH. Process #4, #5, #6
05 TDC Exhibition. Ginza Graphics Gallery. Tokyo, Japan. Processing
Exit Festival. Créteil, France. MicroImage
Exposition Inventeurs! Via Festival International. Maubeuge, France. MicroImage
Process/Drawing. Bitforms. New York, NY. Process #4, #5, #6 (Solo Show)
Artware3. Instituto Cultural Peruano Norteamericano. Lima, Peru. Tissue, HairyRed, MicroImageBW

2004
Art Life. Seeing Gallery, San Francisco Exploratorium. San Francisco, CA. Tissue
Touch and Temperature. Deborah Colton Gallery, Houston, TX. Dakadaka
Sonic Acts X. Paradiso. Amsterdam, Netherlands. Seoul A
LĢEspace temporel. Ars Electronica Festival 2005. Linz, Austria. Image for 18 Musicians
Digital Selections. Kendall College of Art and Design Gallery. Grand Rapids, MI. MicroImage BW
Interact1. London College of Communication, London. Processing
NewSchool 9 Reactive/Creative. NTT ICC. Tokyo, Japan. Processing
Algorithmic Revolution. ZKM. Karlsruhe, Germany. Seoul A, Seoul B
Microwave International Media Art Festival. Hong Kong, China. Seoul A, Seoul B
Siggraph 2004 Art Gallery. Los Angeles, CA. MicroImage Prints
Runtime Art. Multimedia Institute. Zagreb, Croatia. MicroImage
Touch and Temperature. Bitforms. New York, NY. Dakadaka
Whitney Museum of American Art, Artport. New York, NY. {Software} Structures
À La Carte Digital Art. Sónar. Barcelona, Spain. D-Cell
Telic. Los Angeles, CA. TI
This is Today. Triennale, Palazzo dell'Arte. Milan, Italy. Processing
Art Brussels, One Man Show. Brussels, Belgium. MicroImage
Softwarekunst. DAM & Transmediale'04. Berlin, Germany. Articulate

2003
Seven Wonders. Chromosome Gallery. Berlin, Germany. MicroImage
Uijeongbu International Digital Art Festival. Seoul, Korea. Curated by Soni Kim. Tissue
Mole Antonelliana. Turin, Italy. MicroImage, Tissue, Articulate
CODE. Ars Electronica. Linz, Austria. MicroImage, Processing, Tissue
Abstraction Now. Kuenstlerhaus. Vienna, Austria. HairyRed, Articulate
Receiver Gallery. receiver.vodafone.com. Conditional
l'esperienza del domani. Interaction Design Institute Ivrea. Ivrea, Italy. Processing
Danish Film Institute. Copenhagen, Denmark. HairyRed, Seed, Mediation
X/AniMate at REMOTE. New York, New York. HairyRed
Animations. Kunst Werke. Berlin, Germany. Dakadaka
Private Tundra. Los Angeles, CA. HairyRed

2002
Amoda. Austin, Texas. HairyRed, Mediation
Doublecell. Singlecell.org. D-Cell
Translations/Transgressions. University of Rhode Island, Kingston. Tissue
BIN. Shift.jp.org. Mediation.jp
Remapping/Neural Networks. Artbrain.org. Tissue
Work in Progress Exhibition. Interaction Design Institute Ivrea. Ivrea, Italy. Processing
Collision. MIT. Cambridge, MA. Tissue
Golan Levin/C.E.B. Reas. Bitforms. New York, New York. RPM.02, Seed, Tissue

2001
Bitforms Inaugural Group Show. Bitforms. New York, New York. Path
Singlecell. Singlecell.org. O-Cell
Interaction '01. IAMAS. Ogaki, Japan. RPM
Animations. P.S.1. Queens, New York. Dakadaka
Workspheres. MoMa. New York, New York. Atmosphere

2000
New York Digital Salon. New York, New York. Egg Machine
Projects from the ACG. Cooper Union. New York, New York. Reactive Box, Plane Modulator
Print on Screen. Ars Electronica Center. Linz, Austria. Dakadaka
Expanded Entertainment. American Museum of the Moving Image, New York. Egg Machine, Plane Modulator
Siggraph 2000 Art Gallery. New Orleans, LA. Introspection Machine
FuturExpress. Sega Joypolis. Tokyo, Japan. Egg Machine, Plane Modulator

1999
Organic Information. Art Director's Club, New York, New York. Reactive 006

Selected Lectures & Presentations
2007
Claremont Museum of Art. Process / Drawing. Claremont, CA
Royal College of Art, Design Interactions. Processing.org & Artist Talk. London, United Kingdom
Royal Academy of Art, ArtScience. Artist Talk. The Hague, Netherlands
The Future of Media Art symposium. NTT ICC. Tokyo, Japan
Sci-Arc. Process / Drawing. Los Angeles, CA
OPEN Tour. Processing.org. UCSB, UCI, UCSB, UCSC, UCB
UC DARnet Epicenter. Processing.org. Riverside, CA

2006
UCSB College of Creative Studies Art Symposium. Artist Talk. Santa Barbara, CA
MOVE3. Processing.org & Artist Talk. New York University. New York, NY
SEE. Processing.org & Artist Talk. Hessian State Theatre. Wiesbaden, Germany
George Washington University. Artist Talk. Washington D.C.
OFFF. CCCB. Processing.org. Barcelona, Spain
iDMAa/IMS code Conference. Process / Drawing. Miami University. Oxford, OH

2005
Media Center Lume. Artist Talk. Helsinki, Finland
Generator.x. Atelier Nord. Artist Talk. Oslo, Norway
Third Iteration. Keynote Presentation. Monash University. Melbourne, Australia
ArtMedia IX. Artist Talk. Salerno University. Salerno, Italy
Sonarama, Sónar. Processing. Barcelona, Spain
Real Time Workshop, Centre d'Art Santa Monica. Programming Media. Barcelona, Spain
Current Issues in Digital Art, UC San Diego. Artist Talk. San Diego, CA
RIT (Rochester Institute of Technology). Artist Talk. Rochester, NY
Tokyo TDC Day '05. Processing.org. Tokyo, Japan
FITC. Computational Information Design. Toronto, Canada
Machine Project. An Introduction to Processing. Los Angeles, CA
MICA (Maryland Institute College of Art). Programming Media. Baltimore, MD
SAIC (School of the Art Institute Chicago): THICK Design Series. Programming Media. Chicago, IL

2004
MCAD (Minneapolis College of Art & Design). Artist Talk. Minneapolis, MN
Sonic Acts X. Software {Structures}. Amsterdam, Netherlands
Microwave International Media Art Festival. Artist Talk. Hong Kong, China
Distributed Form: Network Practice, UC Berkeley. Program/Process. Berkeley, CA
USC School of Cinema-Television. Programming Media / MicroImage. Los Angeles, CA
Dorkbot City Camp. Processing. Aarhus, Denmark
Read_Me. {Software} Structures. Aarhus, Denmark
Siggraph 2004. Web Graphics: International Processing. Los Angeles, CA
Self-Organizing Systems: rEvolutionary Art, Science, and Literature. UCLA. Los Angeles, CA
Media Art and Technology Program, UC Santa Barbara. Artist Talk. Santa Barbara, CA
Design Dialogues, Art Center College of Design. Artist Talk. Pasedena, CA
San Francisco Art Institute. Programming Media. San Francisco, CA
Pixel Raiders 2. Craft & Code. Sheffield Hallam University. Sheffield, UK

2003
Bootlab. Processing. Berlin, Germany
ART+COM. Artist Talk. Berlin, Germany
USC. Programming Media, Processing. Los Angeles, CA
DAMPF Research Labs. Artist Talk. Linz, Austria
Siggraph 2003. Web Graphics: Processing. San Diego, CA
Siggraph 2003. Sketches and Applications: Processing. San Diego, CA
Seoul National University. Artist Talk. Seoul, Korea
Art Center Nabi. Programming Media. Seoul, Korea
Royal College of Art, Interaction Design. Processing. London, United Kingdom
Architectural Association (AADRL). Programming Media, Processing. London, United Kingdom Interactive Media Art Laboratory.
Emergent Form. Brussels, Belgium
Oslo School of Architecture. Artist Talk. Oslo, Norway
UCLA. Programming Media, Processing. Los Angeles, CA
AIGA Experience Design. On Software. London, United Kingdom
IDEO London. Processing. London, UK
Central Saint Martins. Artist Talk. London, UK
Goldsmiths College. On Software. London, UK
Automaten. On Software. Berlin, Germany
University of the Arts. Artist Talk. Berlin, Germany
HGKK. Artist Talk. Bern, Switzerland

2002
Bartlett School of Architecture. Processing. London, United Kingdom
Amfibio. Living Surfaces & Processing. Helsinki, Finland
Open Doors @ Doors of Perception 7. Living Surfaces. Amsterdam, Netherlands
University of Leiden. Artist Talk. Lieden, Netherlands
Parsons School of Design. Artist Talk. New York, New York
Numer02. Formalism and Creativity session. Paris, France
Basel HGK. Reactive Image. Basel, Switzerland

2001
Sonic Acts 2001. Artist Talk. Amsterdam, Netherlands
Scienze della Comunicazione. Interazione -- Alcune Nozioni. Ivrea, Italy
IAMAS, Interaction'01. Artist Talk. Ogaki, Japan
Experimentadesign2001. Concepts in Interaction. Lisbon, Portugal
Louisiana State University. Dynamic Composition. Baton Rouge, LA

2000
Numer00. Dynamics and Metadesign sessions. Paris, France
International Media Research Foundation. ACG. Tokyo, Japan

Visiting Artist

MICA (Maryland Institute College of Art). 2005
SAIC (School of the Art Institute of Chicago). 2005

Selected Symposia
OPEN: Open Source Sound, Image, and Electronics. UCLA. Los Angeles. 2007 (Organizer)
Sonic Acts XI. The Anthology of Computer Art. Amsterdam, Netherlands. 2006 (Moderator)
Ars Electronica Symposium. Forum IV, Net Vision. Linz, Austria. 2005
Siggraph 2005. The Social Web: Platforms, Communities, and Creativity. Los Angeles, CA. 2005
FITC. Digital Creatures Panel. Toronto, Canada. 2005
ISEA 2004. Who Owns Our (Software) Culture. Helsinki, Finland
Ars Electronica Symposium 2003. Software && Code. Linz, Austria
Transmediale 03. Interdiscipline Media Arts. Berlin, Germany
ISEA 2000. The State of Interactive Design. Paris, France

Selected Juries
FutureSonic. 2007
Prix Ars Electronica 2004. Net Vision
Prix Ars Electronica 2003. Net Vision / Net Excellence
VIPER Basel 2003. Transposition Category
Berlin Transmediale 2003. Software Category
Philippine Web Awards 2003
NIFCA (Nordic Institute for Contemporary Arts). New Media AiR 2002

Selected Curation
Net.Art 2004. Microwave International Media Art Festival. Hong Kong, China. Curator
CODE. Ars Electronica Festival 2003. Linz, Austria. Curatorial Advisor

Selected Workshops
2007
Telic Arts Exchange. Form + Code. Los Angeles, CA
Royal Academy of Art. Processing Workshop. The Hague, Netherlands

2006
Shakerag Workshops 2006. Processing Workshop. Sewanee, TN
Hangar. Extend: Advanced Processing Workshop. Barcelona, Spain

2005
Fabrica. Screen Paper Pattern. Treviso, Italy
FITC. Processing Workshop. Toronto, Canada

2004
City University of Hong Kong. Processing Workshop. Hong Kong, ZH
MCAD. Processing Workshop. Minneapolis, Minnesota
University of Huddersfield. Processing Workshop. Huddersfield, UK
Sheffield Hallam University. Processing Workshop. Sheffield, UK
USC, Interactive Media Division. Processing Workshop. Los Angeles, CA

2003
Interaction Design Institute Ivrea. Programming Mobile Media. Ivrea, Italy
USC, Interactive Media Division. Processing Workshop. Los Angeles, CA
Hongik University. xD_5 Processing. Seoul, Korea
Interactive Media Art Laboratory. Processing Workshop. Brussels, Belgium
Oslo School of Architecture. Visual Concepts for Responsive Media. Oslo, Norway
Transmediale.03. Processing Workshop. Berlin, Germany
Interaction Design Institute Ivrea. Processing Workshop. Ivrea, Italy
Hyperwerk. Living Surfaces. Basel, Switzerland

2002
Royal Conservatory, Image & Sound. Processing Workshop. The Hague, Netherlands
Les Ateliers/ENSCI. Workshop Algorithmique. Paris, France
Hyperwerk. Interactive Image Workshop. Basel, Switzerland

2001
UIAH. Masters Class in Interaction Design. Helsinki, Finland
University of Cincinnati, DAAP. Computational Design Workshop. Cincinnati, OH

2000
RISD. Computational Design Workshop. Providence, RI

Selected Publications
Reas, Casey and Ben Fry. Processing: A Programming Handbook for Visual Designers and Artists. MIT Press, Cambridge. 2007
Beyond Code. in Network Practices: New Strategies in Architecture and Design, Edited by Anthony Burke and Therese Tierney. Princeton Architectural Press, New York. 2007
Reas, Casey, Ben Fry, and Javier Candeira. Working the Art Process by Typing In Computer Code. Visual Communication, Volume 5, Number 2. 2006
Who are the Progenitors of the Contemporary Synthesis of Software and Art? The Anthology of Computer Art. Altena, Arie & Lucas van der Velden, Ed. COUP, Amsterdam. 2006
Process/Drawing. Architectural Design. Programming Cultures: Design, Science and Software. Silver, Michael, Ed. John Wiley & Sons, London. 2006
"Processing: Programming for the Media Arts." AI & Society Journal. Springer, London
"Processing Code." Aesthetic Computing. Paul Fishwick, Ed. MIT Press, Boston, 2005-2001
"MicroImage." A Minima 9. Espacio Publicaciones, Spain. 2005
"The Language of Computers." Creative Code. John Maeda, Ed. Thames & Hudson, London, 2004
"{Software} Structures." Read_Me, Software Art & Cultures. Goriunova, Olga & Alexei Shulgin, Eds. University of Aarhus Press. Aarhus, Denmark. 2004
"Programming Media." InterCommunication No. 47. ICC. Winter, 2004
"Programming Media." CODE - The Language of Our Times. Hatje Cantz Verlag. 2003
"Behavioral Kinetic Sculpture." The Art of Programming. Sonic Acts Press. 2002
Behavioral Kinetic Sculpture. MS Thesis, MIT Media Laboratory. August 2001

Selected Compendiums
2004
IdN Special 04: The Art of Experimental Interaction Design. Andy Cameron, Ed. IdN. Hong Kong. 2004
Tissage. Paris. 2004
eproject vol.2. Pao&Paws. Taipei. 2004

2003
AREA. Valerie Vago-Laurer, Ed. Phaidon Press Limited, London. 2003
Interaction Design Almanacco 2003. Interaction Design Institute Ivrea, Italy. 2003
Bang! Bande Dessinée, Images, Actualité. No.3. Casterman & Beaux Arts, Paris. 2003
ROJO.nu. Sintonison S.L., Barcelona. 2003
Salon version 3.0 DVD. Furukawa, Tokyo. 2003
Imbecil CD-ROM. Alku, Barcelona. 2003
Ubersee #2. Die Gestaltung Verlag, Berlin. 2003
ROJO.cold. Sintonison S.L., Barcelona. 2002
"C.E.B. Reas." The Graphics Book. D&AD, London. 2002
IBM Systems Journal. Volume 39, Numbers 3 & 4. 2000

Selected Media (Press, Books, Reviews)
2007
Rawsthorn, Alice. John Maeda: Rethinking Technology and the Digital Revolution. International Herald Tribune. 6 May 2007
Manovich, Lev. Abstraction and Complexity. In MediaArtHistories. Edited by Oliver Grau. MIT Press, Cambridge, MA. 2007
Mancuso, Marco. Software Art Space. Ma Quale Software Art?!? Digimag 26. July/August 2007
Willis, Holly. The Amazing Visual Language of Processing. Voice: AIGA Journal. 17 July 2007
Cornell, Lauren. Interview: Charlie Gere, Christiane Paul, Jemima Rellie. Rhizome.org Digest 06/20/07 and 6/27/07. Republished in A Minima. Espacio Publicaciones, Spain. 2007
Leggett, Mike. Generative Systems and the Cinematic Spaces of Film and Installation Art. Leonardo - Volume 40, Number 2. April 2007
Stocker, Gerfried. The Art of Tomorrow. A Minima 15. Espacio Publicaciones, Spain. 2007
Lupton, Ellen. Design Life Now: Curating the National Design Triennial. Voice: AIGA Journal. 20 February 2007

2006
Brown, Andrew R. Code Jamming. M/C Journal 9.6. 2006
D-Fuse. VJ: Audio-Visual Art and VJ Culture. Laurence King. 2006
Shintani, Joyce. Ars Electronica 2005: Festival for Art, Technology, and Society. Computer Music Journal - Volume 30, Number 2. Summer 2006.
Turroni, Annalisa. Interferenze, Electronatura Incontaminata. Digimag 17. September 2006
Niessen, Bertram. Sonic Acts XI. Digimag 16. July/August 2006
Vakalis, Donna Marie. An Interview with Ben Fry and Casey Reas. Vague Terrain 03. June 2006
Merzello, Luca. The Best of OFFF. Digimag 15. June 2006
Sandone, Barbara. OFFF Festival, Graphic Design con Amore. Digimag 15. June 2006
Mancuso, Marco. Tmema, Realta' Ampliata e Gesti Interattivi. Digimag 11. February 2006
Quaranta, Domenica. Generative Ars. C.STEM catalog. 2006
Werner, James P. Logos, Rationale and Desire in Convergent Art Practices. In Analecta Husserliana, Volume 92. Springer Netherlands. 2006

2005
Beekman, Rene. Unsorted: An A to Z for SonicActsX (Review). Leonardo - Volume 39, Number 2. April 2006
Wettach, Reto. Ars Electronica - Living in Paradox. PingMag. 20 September 2005
Quaranta, Domenico. I Figli Ideali di LeWitt. Arte e Critica, no. 44. 2005 Whitelaw, Michael. System Stories and Model Worlds: A Critical Approach to Generative Art. Readme #100, 2005
Franchino, Fabio. Generator.x, Tra Arte e Codice. Digimag 9. November 2005
Quaranta, Domenico. Living in a Paradox. Cluster 5. 2005
Gemin, Tiziana. Ars Electronica 2005: Chronicles. Digimag 8. October 2005
Quaranta, Domenico. Minimal Software. Digimag 4. May 2005
Tanni, Valentina. Navigando Contromano, La Browser Are. Digimag 3. April 2005
Paul, Christiane. Artport. A Minima 12. Espacio Publicaciones, Spain. 2005
Willis, Holly. Digital Universe with LA at its Center. LA Weekly. 28 October 2005
Marriott, Michael. Only the Frame is Familiar. New York Times. 6 October 2005
Knight, Christoper. Modern Experience, Dissected 11 Ways. Los Angeles Times. 30 September 2005
Baker, Kenneth. Hello, kitty. Nice to see you again. San Francisco Chronicle. 9 July 2005
Rucker, Rudy. Lifebox, the Seashell, and the Soul. Thunders Mouth Press. 2005
"Design Talk: Casey Reas. Processing." Computer Arts, UK. May 2005
Franzreb, Danny. "Programming for Designers Who Think They Can't Do It." IdN, Vol.12 No. 2. 2005
R.C. Baker. "Show World." Village Voice. 22 March 2005
Petersen, Andrea. "Art for When There's Nothing on TV." The Wall Street Journal. 16 February 2005

2004
Altena, Arie. Unsorted, Thoughts on the Information Arts. Sonic Acts / De Balie. 2004
Birch, Thomas & Thomas Markussen. "Read_Me 2 - lžr at programmere." HardDisken, Danmarks Radio, 4 September, 2004.
Tan, Tori. "Processing: Interview with C.E.B. Reas." XFuns Magazine No.11. May 2004
Pfaffenbichler, Norbert and Sandro Droschl. Abstraction Now. Edition Camera Austria. 2004
"Exploring Digital Possibilities." Sheffield Telegraph. 2 April, 2004

2003
Broegger, Andreas. "Software Art, An Introduction." kopenhagen.dk. September 2003
Brown, Liz. "Eye Candy." Grafik. July 2003. 2003
Campion, Sebastian. "Code. In Conversation with C.E.B. Reas." kopenhagen.dk. October 2003
Christov-Bagarkiev, Carolyn. Animations. Kunst-Werke. Berlin. 2003
Ha, Young-June. "Interview with C.E.B. Reas." Korea Tatler, Vol.03 No.22, August 2003
Hoxley, Rich. "Code Dependency." Print Magazine. September/October 2003. 2003
Paul, Christiane. "Public CulturalProduction Art(Software) }." In CODE - The Language of Our Time. Hatje Cantz Verlag. Osterfildern-Ruit. 2003
Sparks, Heather. "Web Design for Dummies." Wired Magazine. September 2003
Vanderbeeken, Mark. "Processing: Programming as Art." Cluster Magazine. Fall 2003

2002
"Interview: C.E.B. Reas." Design Net, Vol. 61. Seoul, Korea. October 2002
Lehrer, Jeremy. "New Visual Artists Review: 20 Under 30." Print, March/April 200
2 Melcer, Anne. "Numer, Design Interactif et Humaines Conditions." Etapes:85. June 2002
New York Reviews: "Bitforms Inaugural Show." ArtNews. April 2002
"Processing, Mein elekronisches Sketchbook." DE:BUG 64. October 2002

2001
Jesdanun, Anick. "Digital Art Gaining Acceptance." Associated Press. 10 December 2001
Martini, Federica. "Sculpture Immateriali, Intervista a C.E.B. Reas." Exibart. December 2001
Sakane, Itsuo. The Interaction '01, Dialogue with Expanded Images. IAMAS, Ogaki. 2001
Wolff, Laetitia and Wang Xu, Ed. Design Focus Media: ACG. China Youth Press, Hong Kong. 2001

2000
Coleman, B. "Aesthetics + Computation Group." ArtByte. Summer
"Eighth Annual New York Digital Salon." Leonardo. Volume 33, Number 5
Stocker, Gerfried and Christine Schopf, Ed. Ars Electronica 2000, Next Sex. Springer, Vienna

Academic Appointments
UCLA Design | Media Arts
Assistant Professor. August 2003Ņpresent
Teaching undergraduate studios in interactive media and the Internet. Teaching graduate studios in responsive environments and thesis development. Developing new curriculum integrating interaction and media art into the undergraduate program. Advising for UCLA ArtsBridge and D|MA web development. Coordinated SenseLab, the department's electronics laboratory.

Interaction Design Institute Ivrea
Associate Professor. September 2001ŅJuly 2003
Founding faculty and researcher. Taught courses in interaction design, wearable computing, and visual design. Coordinated Personal Technologies research unit and advised thesis students. Additional responsibilities included advising Institute research projects, collaborating on curriculum development and policy, organizing lecture series, coordinating exhibitions.